Tag: commercial film

61st Annual Hatch Awards Winners

Every year, the Greater Boston area produces the Hatch Awards which shine a light on the “best branding created anywhere” and celebrates creative excellence within the field.  The 61st annual Hatch Awards took place last month and we at Indresano Studios were thrilled to receive multiple awards from the establishment.

We are proud to share we won six awards at this year’s Hatch Awards. Our video profiling Noelle Lambert, a Paralympian of the 2021 Tokyo Olympics and a Massachusetts native, took home the bronze bowl for the Equity category. Our Nike Mercurial Video won a bronze in the Brands Amplified category.

Check them out below:

Equity Bronze Winner Noelle Lambert:

Brands Amplified Bronze Winner Nike Mercurial Video:

We are happy to reveal we also received four Merits at the New England Hatch Awards! Several of these videos were for our CGI work. 

You can view each of the winners below!

National Grid Light Bulbs:

National Grid Thermostats:

National Grid Showerheads:

Louis Moinet Rosetta Stone Tourbillon:

Noelle Lambert Teaser:

Indresano Studios is honored to be placed amongst such talented creators and looks forward to the content produced each year for the Hatch Awards. 

Our in-house videos are some of the best in Boston and we cover all your bases with our full-service studio offering commercial photography, video production, CGI, and animation.

Want more content?

Check out our website at www.indresano.com

EXPLOSIVE VIDEOGRAPHY AND PHOTOGRAPHY

We always love an adventure, and when we were preparing for a recent photo shoot and full video production, we know we had one! We were all blown away by the final product:

To go along with the video series, the client also wanted some photography work done. The goal was dramatic and sleek looking images to promote a health care leadership program. Check out some of the images from the series below!

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Next up was the video, which required a lot of components working together in synch. We had to make custom props,  hire pyrotechnicians and  find the highest caliber slo-mo camera to make the shot look just right.

We started our day with the preparation: our pyrotechnician drilled into the back of the mercury staffs  in order to make room for the explosives.

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Back inside, his son (and partner), was gluing in the detonation cord, or det cord for short. It might look like harmless laces or rope, but it packs some serious power!

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The finished product was prepped for the shoot by being strung up in midair.

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In order to capture all the details of the blast, we needed a camera with a very high frame per second, like the Phantom Flex shown below.

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Explosions are messy; we had to make sure we protected the camera behind some plexy! Cleaning between takes definitely took some time but the final product was well worth it.

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After the explosive shots, we needed some shots of the aftermath as well. After switching the Phantom to the dolly we were ready for action!

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Before breaking down our explosive set, we couldn’t help but experiment with a few other products. Check out the video below!